Soprano

MARIA ALEIDA

Young Cuban soprano, she graduated from the Emilio Sojo Vincente Conservatory in Venezuela. Later he specialized with Mirella Freni in Venezuela and Montserrat Caballè in Zaragoza. Currently she is perfecting her vocal technique with Maestro Bill Schuman.

Winner of numerous vocal competitions, including “Montserrat Caballe international voice competition” in Zaragoza (2008), Mario Lanza Institute in Philadelphia (2009), Licia Albanese Puccini Foundation in New York (2010), she was a finalist at the Metropolitan Opera National Council Auditions (2011). For two consecutive years she was also a “Resident Artist” at the Academy of Vocal Arts in Philadelphia.

In 2011 she made her debut in Italy at the Festival della Valle d ’Itria in Martina Franca as Zenobia in Aureliano in Palmira and at the Rossini Festival in Pesaro as Countess of Folleville in Il Viaggio a Reims. In 2012 she returns to the stage of the ROF in Pesaro as Elvira in Il signor Bruschino.

Recent successes include her debut at the Maggio Musicale Fiorentino in Florence as Elvira in I Puritani, her debut in the role of the Queen of the Night in Die Zauberflöte at the Opera Carolina in Charlotte, I puritani at the Pergolesi Theater in Jesi, Il viaggio a Reims (Contessa Folleville) at the Coccia Theater in Novara, Sigismondo (Aldimira) at the Rossini in Wildbald Festival, as well as a recital at the Musashino Cultural Foundation in Japan.

Since 2015 she has been collaborating regularly with Andrea Bocelli alongside him as a soloist on numerous world tours.

During the 2016/17 season she sang as a soloist in concert with the G. Rossini Symphony Orchestra of Pesaro at the Teatro della Fortuna in Fano and at the Pergolesi Theater in Jesi and played the role of the Countess of Folleville in Il viaggio a Reims at Rome Opera House. You have also embarked on a long world concert tour alongside Andrea Bocelli which has touched the cities of Florence, Lisbon, Panama, Kiev, Amsterdam, Kaunas, Riga, Krakow, Bratislava, Budapest, Zagrabia, Munich, Hamburg and Prague. In August 2018 she played the role of Rosina in The Barber of Seville at the Festival of the Itria Valley in Martina Franca.

Among her next commitments: a world tour of concerts alongside Andrea Bocelli.

MARIA
ALEIDA

AINHOA ARTETA

Born in Toulouse, the Spanish soprano Ainhoa Arteta attracted the attention of the international public by winning the prestigious Metropolitan Opera National Council Auditions in 1993 and Plácido Domingo’s famous “Operalia” competition.

Since then he has had the opportunity to tread the most prestigious theaters in the world, including Metropolitan Opera and Carnegie Hall in New York, ROH Covent Garden in London, San Francisco Opera, Liceu de Barcelona, Teatro Real de Madrid, Palau de la Musica de Valencia, Bayerische Staatsoper of Monaco, La Monnaie de Bruxelles, Grand Théâtre de Genève, Deutsche Oper am Rhein, Bolshoi Theater of Moscow, Theatro Municipal de São Paulo, San Carlo Theater of Naples, Municipal Theater of Bologna, Arena of Verona

Among his most famous interpretations are La bohème (Mimì), La traviata (Violetta) and Carmen (Micaela) at t the New York Metropolitan Opera, Musetta (La bohème) at the ROH Covent Garden and at the Arena di Verona, Faust (Marguerite) at the Bayerische Staatsoper in Munich, Manon Lescaut (title role) in Seville, Simon Boccanegra (Amelia Grimaldi)in Bilbao, Carmen (Micaela) at the Liceu de Barcelona, Don Giovanni (Donna Elvira) at the Teatro Real de Madrid, Cyrano de Bergerac ( Roxane) at the San Francisco Opera, Falstaff (Alice) at the ROH Covent Garden, at the San Francisco Opera and at the San Carlo Theater in Naples, Don Carlo (Elisabetta) in Oviedo, Tosca (title role) at the Teatro Comunale in Bologna, at the Deutsche Oper am Rhein, at the Welsh National Opera and at the Municipal de São Paulo, La Wally (title role) at the Grand Théâtre de Genève, Eugene Onegin (Tatyana) at the Palau de la Musica de Valencia, I Pagliacci (Nedda) at La Monnaie de Brussels and Adriana Lecouvreur (title role) at the Teatro de la Maes tranza de Seville.

During the 2017/18 season she performed Andrea Chénier (Maddalena) at the Opera de Oviedo, Verdi’s Requiem Mass with the Royal Liverpool Philharmonic, Manon Lescaut (title role) at the Bolshoi Theater in Moscow, Adriana Lecouvreur (title role ) in Seville and Tosca (title role) at the Teatro San Carlo in Naples.

She opened the 2018/19 season playing La bohème (Mimì) in Bilbao, later she played La traviata (Violetta) in Malaga, Manon Lescaut (title role) at the Bolshoi Theater in Moscow and Madama Butterfly (Cio-cio-san) at the Liceu de Barcelona, Don Carlo (Elisabetta) in Las Palmas, Falstaff (Alice) and Don Carlo (Elisabetta) at the Teatro Real de Madrid, Carmen at the Jerez Theater.

She is also active on the symphonic side, she has interpreted Verdi’s Messa da Requiem as a soloist in Tokyo and with the Liverpool Philharmonic Orchestra. You have joined the famous tenor Plácido Domingo in numerous Gala concerts all over the world (Berlin, Hamburg, Istanbul, Leipzig, Madrid, Paris, Munich, Valencia, Brazil and London).
Among the many awards received we point out the ‘Best Classical Artist’ at the 50th Spanish Music Awards.

AINHOA
ARTETA

ELISA BALBO

Soprano appreciated for its excellent musicality, softness, freshness of timbre as well as for its marked acting skills, protagonist of a vast repertoire ranging from Rossini to Puccini, from Verdi to verismo, has had the opportunity to establish itself internationally directed by eminent directors including Riccardo Muti. She has performed on stages such as the Teatro dell’Opera di Roma, La Fenice di Venezia, the Arena di Verona, the Verona Philharmonic Theater, the Vienna Wiener Konzerthaus, the Ravenna Festival, the Lyric Theater of Cagliari, Bunka Mura di Tokyo, the International Music Hall in Moscow, the Great Rubinstein Rimsij-Korsakov Theater in St. Petersburg, the Rossini in Wildbad Festival, the Toscanini Auditorium in Turin, and has been the protagonist of award-winning recordings.

In the Verdi year 2013 she made her operatic debut in the role of Alice in Falstaff with the Ravenna Festival and Cristina Mazzavillani Muti as her direction; she also sings in two prestigious Verdi concerts at the Toscanini Auditorium in Turin with the Rai Symphony Orchestra conducted by Daniele Rustioni for the Republic Day and by Andrea Battistoni on the occasion of the 65th Prix Italia.
Subsequently, she is the protagonist of Giordano’s Siberia in the impervious role of Stephana at the Rimsky-Korsakov theater in St. Petersburg. She was the winner of the X International Competition of Verona, she made her debut as Mimì in Puccini’s La Bohème at the Verona Philharmonic Theater in 2014 and then at the Vittorio Emanuele Theater in Messina.

In the meantime she starts a very rich concert activity that leads her to sing as a soloist in Rossini’s Petite Messe Solennelle at the Teatro dell’Opera in Rome and, later, directed by Riccardo Muti, in a Verdi concert on the occasion in the eightieth year of birth of Luciano Pavarotti at the Municipal Theater of Modena (2015). She also sings Saint-Saëns’ Oratoire de Noël in the Milan Cathedral and wins the Milan Conservatory Award, where she graduates with full marks and honors. She takes part in the 2016 New Year’s Concert at the Budapest Pap Laszlo Arena and replicated at the Konzerthaus in Vienna, sharing the stage with the likes of Ramon Vargas, Inva Mula and Zoltán Mága.

She inaugurates the 2016/2017 season of the Campana Philharmonic Orchestra as solo soprano in Richard Strauss’s Vier Letze Lieder and Mozart’s Requiem on tour in Japan with the Rossini Symphony Orchestra of Pesaro. She then goes on to debut her first Rossini role as Anna Erisso in Mohammed II at the Rossini Festival in Wildbad.

During the 2017/18 season she played La traviata (Violetta), on tour in Japan with the Manzoni Theater in Bologna; she then sings in Turandot (Liù) at the Verdi Theater in Sassari, in Carmina Burana at the Moscow International Music House, and is the protagonist of La vedova allegra (Hanna Glawari) at the Verona Philharmonic Theater.
You take part in the celebrations of the Rossinian year 2018 singing the Stabat Mater in Pesaro and Ravenna, and debuting in Moïse et Pharaon (Anaï) at the Rossini Festival in Wildbad, from which a record edition for Naxos is born.

You inaugurated the 2018/19 season by playing the role of Desdemona in Verdi’s Otello at the Alighieri Theater in Ravenna and at the Teatro del Giglio in Lucca with great personal success in a project by Cristina Mazzavillani Muti. Later, you sang at the Teatro Lirico of Cagliari in the Symphony No. 2 op. 52 by Mendelsohn-Bartholdy, to then inaugurate the opera season with the rare opera Lo Schiavo by Gomes (also published on disc and DVD by Dynamic and Naxos – a project awarded by Gramophone magazine and nominated for the Oscars of Opera); she later she is her Amenaide in Tancredi at the Wildbad Rossini Festival.

He inaugurated the 2019/20 season with extraordinary success, interpreting the role of Micaëla in Carmen at the Alighieri Theater in Ravenna, Nedda in I Pagliacci at the Teatro Lirico in Cagliari, and recording the new opera Ecce Homo by José Cura awaited live at the Ljubljana Festival and the Enescu Festival in Bucharest.

In the 2020 season she returns, with great success, to the Ravenna Festival as Margherita in the production of Schumann’s Faust Rapsody in an innovative staging between opera and prose. In addition, she achieved personal success as Hanna Glawari in The Merry Widow in Cagliari and for the inauguration of the 2020-2021 season of the Carlo Felice Theater in Genoa where she performed, in stage form (production given the year before only streaming) singing the diptych “Serva Padrona” and “Trouble in Tahiti”.

Parallel to her activity in the theater, she has performed in great concerts for large international audiences, collaborating with the Luciano Pavarotti Foundation in New York, at the Teatro La Fenice in Venice, on a tour on the occasion of the 10th anniversary of the death of Big Luciano in Turku, Finland and at the Verona Arena (live on Rai1).
From 2013 to 2019 she took part as a soloist in “Opera on Ice”, at the Arena of Verona, Marostica and the Circus Maximus in Rome.
She also started a long collaboration as a concert performer alongside Andrea Bocelli who took her to the United Kingdom (in Sheffield, Glasgow and the O2 Arena in London), in the United States (in Orlando, Miami and Atlanta), in Europe (in Helsinki, Bucharest and Cluj) and in the Middle East (in Jerash in Jordan).

ELISA
BALBO

LETIZIA BERTOLDI

Young Bolognese soprano with an incredible voice, her prodigious voice has been a great success since her first public performances. The ductility to interpret two different musical styles, opera and pop, has allowed him to participate in various musical events, earning the esteem of international artists and producers.

The meeting with M ° Patrizia Orciani, soprano, director of the Opera School of San Lazzaro di Savena (BO) allowed him to technically and interpretively perfect a voice that always turns to an evolution with pyrotechnic characteristics.

The fusion of the two musical styles, Lyric and Pop, also known as crossover, which is now increasingly requested by large audiences, is followed and developed by the masters, M ° Federico Capranica and Eleonora Lombardo, experts and specialists for the study of modern singing. This flexibility of her leads her in 2020 to be selected to participate in the talent “Amici” of Mediaset, becoming she known and admired by the general public.

In 2017, while still a minor, she made her debut in the role of Adina in “L’Elisir d’amore” at the Teatro della Fortuna in Fano as part of the “FanOpera Summer School 2017” event created and produced by the Teatro della Fortuna and Opera School Foundation with the Artistic Direction of Maestro Leone Magiera, former Testimonial of Opera School.

With great success she sang the role of Barbarina in “The Marriage of Figaro” at the Piccolo Festival of Friuli Venezia Giulia and as part of the same event she took part in the cast of the Commemorative Concert dedicated to Rossini at the Castello di Spessa in Capriva del Friuli ( GO).

You inaugurated the 2018/19 season with “The Marriage of Figaro” (Barbarina) at the Alighieri Theater in Ravenna and in Rimini with the direction of Maestro Riccardo Muti. For the 2018/2019 season she is in the “Rigoletto” (Gilda; second cast) at the Teatro Comunale Luciano Pavarotti in Modena and at the Teatro Comunale in Ferrara. In 2022 she made her debut at the Carlo Felice Theater in Genoa in the acclaimed production of the Merry Widow.

LETIZIA
BERTOLDI

TATIANA CARLOS

“Voice of great volume, which spreads throughout the theater without any apparent effort. The timbre is beautiful, dark, wide, full-bodied and round.” -movimento.com

The soprano Tatiana Carlos it is acclaimed for its “beautiful dark timbre” and for “showing excellent projection and rich phrasing”. (movimento.com)

This season she played Leonora at the Il Trovatore of the Amazonas Opera Festival and Moema in the homonymous opera at the Theatro Municipal do Rio de Janeiro. Later this season, she will play the lead role of Jupyra and a concert in honor of the great soprano Renata Tebaldi with the Orquestra Sinfônica Brasileira. Both shows also at the Theatro Municipal do Rio de Janeiro.

Tatiana has been awarded in numerous major international and national competitions, such as the Metropolitan Opera’s Laffont Competition, the Houston Grand Opera’s Eleanor McCollum Competition, the Premiere Opera Foundation’s International Vocal Competition and others. In Brazil she was awarded in competitions such as Maria Callas International Voice Competition, Linus Lerner International Competition, Francisco Mignone Chamber Music Competition, Villa-Lobos Chamber Music Competition.

She made her professional debut in 2016 as Barena in Jenufa at the Theatro Municipal in Rio de Janeiro, where she also held the title role. In 2019 she made her debut at the Amazonia Opera Festival playing Elisabetta in Donizetti’s Maria Stuarda and was a guest artist in Vittorio Grigolo’s Grandes Vozes Concert at the Theatro Municipal in Rio de Janeiro.

He participated in the Premiere Opera Vocal Arts Institute in 2020-2021, working with Bruno Nicoli (Teatro alla Scala), Beatrice Benzi (Teatro alla Scala), Luisella Germano (Wiener Staatsoper), José Maria Codemi (Opera of San Francisco) and the famous singers Carol Vannes, Barbara Frittoli, Jane Eaglen and Cheryl Studer. Tatiana was seen as a resident artist at the Bidu Sayão Opera Academy of the Theatro Municipal in Rio de Janeiro in 2016-17, where she performed scenes such as Roselinde (Die Fledermaus), Leonora (La Forza del Destino). In 2017 she was one of the singers selected to take part in the masterclasses held by the Jette Parker Young Artist Program of the Royal Opera House in Brazil, working with David Gowland.

In the summer of 2015, Tatiana attended Dolora Zajick’s Institute for Young Dramatic Voices.

He holds a Masters in Performance from Brigham Young University and a Bachelor’s Degree also in Performance from Universidade Federal do Rio de Janeiro.

TATIANA
CARLOS

DONATA D’ANNUNZIO LOBARDI

Awarded with the prestigious “Albo Oro Puccini” from the Puccini Festival of Torre del Lago, for her performances in the roles of Musetta and Mimì (La bohème), Magda (La Rondine), Liù (Turandot), Cio-Cio-San (Madama Butterfly), Suor Angelica (Suor Angelica), Donata D’Annunzio Lombardi is today recognized as one of the main Puccini interpreters for her vocal and acting skills.

She has had the opportunity to play some of the most prestigious theaters in the world, including Teatro alla Scala, Teatro Regio in Turin, Teatro Massimo in Palermo, Arena di Verona, Teatro Regio in Parma, Teatro Comunale in Florence, Teatro San Carlo in Naples. , Teatro dell’Opera Roma, Michigan Opera Theater of Detroit, Opernhaus of Zurich, Théâtre des Champs Elysées, Royal Theater of Versailles, Théâtre du Chatelet, Staatstheater of Stuttgart, Mann Auditorium of Tel Aviv and the Royal Opera House Muscat, collaborating with director orchestra of the caliber of Roberto Abbado, Bruno Bartoletti, Alain Guingal, Evelino Pidò, Daniel Oren, Lorin Maazel, Placido Domingo and Jeffrey Tate.

During the 2016/17 season she interpreted with great success Turandot (Liù) and I Pagliacci (Nedda) at the Verona Philharmonic Theater, Manon Lescaut (title role) in the theaters of Livorno, Pisa and Rovigo, Madama Butterfly (title role ) at the Sugi Opera in Seoul and La Rondine (Magda) at the Puccini Festival in Torre del Lago.

During the 2017/18 season she played with great success Madama Butterfly (Cio-cio-san) at the Maggio Musicale Fiorentino, Tosca (title role) at the Verdi Theater in Sassari and Suor Angelica at the Puccini Festival in Torre del Lago.

The commitments of the 2018/19 season include Aida (title role) at the Opéra de Liège, Tosca (title role) and I Pagliacci (Nedda) at the Carlo Felice Theater in Genoa, Cavalleria Rusticana (Santuzza) at the Livorno Theater and Turandot (Liù) at the Steinbruch Opera.

During his career he has received numerous awards, among which we remember the prestigious “Les Victoires de la Musique Classique”, at the Théâtre du Châtelet in Paris for the purity of the vocal line in his Mozart performances, as well as the award for “Best Singer of the year 2012 ”at the Donizetti Festival, for her interpretations of Antonina in the Belisario and Maria Stuarda in Maria Stuarda.

Absolute first prize at the “Francesco Paolo Tosti” International Competition, honorary member of the Tostiano National Institute of Ortona (CH), she is very active in the dissemination of the Tostian chamber repertoire. Her outstanding scenic skills also make her the ideal interpreter of the operetta repertoire, among the most acclaimed interpretations are Hanna Glawari in The Merry Widow by F. Lehár, Hélene in La bella Elena by Offenbach, Mary Lloyd in The Duchess of Chicago by Kálmán , Cin-Ci-Là of the homonymous operetta by V. Ranzato, Adele in The bat by J. Strauss.

DONATA
D’ANNUNZIO LOMBARDI

NUNZIA DE FALCO

Soprano from Salerno, after having studied the piano, she devoted herself to singing, graduating with full marks and honors at the “G. Martucci ”of his city. Soprano from Salerno, after having studied the piano, she devoted herself to singing, graduating with full marks and honors at the “G. Martucci ”of her city. He has won numerous international competitions, including the “II Concurso Internacional de Canto Ópera de Tenerife”, the scholarship offered by the “Giacomo Maggiore” association promoted by the Real Teatro di San Carlo in Naples and the international competition “Francesco Albanese” , both for the opera singing award and for the Neapolitan song.

She has already had the opportunity to tread important stages playing roles such as Violetta in “La Traviata” by G. Verdi for the Pergolesi – Spontini Foundation in Jesi, at the National Theater of Opera and Ballet in Sofia and on tour in Japan, with the Teatro Comunale di Bologna and with the Symphony Orchestra of Bologna, at the City Culture Center of Shizuoka, at the Minato Mirai Concert Hall in Yokohama and the Kyoto Concert Hall; Anna, protagonist role of the unpublished opera “The deaf – Love’s dream in a New Year’s Eve” in homage to Beethoven, on a subject and text by Leo Nucci and music by Paolo Marcarini, premiered at the Municipal Theater of Piacenza , reproduced in its entirety by the British BBC; Serpina in “La serva padrona” by Pergolesi for the staging curated by the San Carlo theater in Naples, directed by Mariano Bauduin; A singer in “A teacher and a singer” by Lauro Rossi, a recently discovered score and orchestral reworking at the Verdi Theater in Salerno; the Priestess in “Aida” at the San Carlo Theater in Naples – under the direction of Pinchas Steinberg – and at the Verdi Theater in Salerno – directed by Daniel Oren -; Donna Armida in Cimarosa’s “La finta Parigina” at the Opéra National in Paris; Rossini’s Petite Messe Solennelle, the Choral Fantasy op. 80 by Beethoven, the Stabat Mater by Pergolesi, performed at the Court Theater of Palazzo Reale in Naples and in Palermo with the Sicilian Symphony Orchestra; Alice in Verdi’s “Falstaff” and Adina in Donizetti’s “L’Elisir d’Amore”, at the Flavio Vespasiano theater in Rieti; Clelia in “Il trionfo di Clelia” by Jommelli, for the Cimarosa – Jommelli Festival in Antwerp.

Very active on the concert side, she took part with “I solisti del San Carlo” in a recital at the Musikverein in Vienna, dedicated to the Neapolitan eighteenth century and, with the same staff, in other Baroque music concerts and performed in the New Year’s Concert at the Verdi Theater in Salerno, under the direction of Daniel Oren and Francesco Ivan Ciampa.

Graduated in Musicology and in Philology, Literature and History of Antiquity at the University of Salerno, she combines musical practice with teaching and research activities, taking part in conferences, musicological study committees, lectures-concerts and cultural meetings. You have written a series of booklets and numerous articles on music. She is an academic professor of historical-musicological disciplines at the “E. R. Duni “of Matera, recently published is her volume” The Sirens in Ulysses by Luigi Dallapiccola “, published by Guida.

She studied at the National Academy of Santa Cecilia with Renata Scotto, Anna Vandi and Cesare Scarton. She is currently studying with soprano Patrizia Orciani and maestro Leone Magiera at the “Opera School” academy.

NUNZIA
DE FALCO

NORMA FANTINI

Equipped with a powerful voice, characterized by an impressive range, agility and breadth, it is successful after success on the major international stages. About her Her interpretations of Aida, Tosca and Manon Lescaut have earned her worldwide recognition as one of the greatest performers in this repertoire. In November 2005 she was awarded the prestigious “XXXV Puccini Prize”unanimously awarded by the Puccini Festival Foundation of Torre del Lago. Award given to those who distinguish themselves in the interpretation of Puccini’s heroines and already belonged to artists of the caliber of Antonietta Stella, Renata Tebaldi , Magda Olivero, Maria Callas (in memory), Raina Kabaivanka, Mirella Freni and Katia Ricciarelli.

He has trod the stages of the most important theaters in the world, including Teatro alla Scala, RHO Covent Garden in London, Metropolitan Opera in New York, San Francisco Opera, Wiener Staatsoper, Opernhaus in Zurich, Bayerische Staatsoper in Munich, Staatsoper in Berlin, Hamburg Staatsoper, Dresden Semperoper, Liceu de Barcelona, Teatro Real in Madrid, Théâtre Royal de la Monnaie in Brussels, New National Theater in Tokyo, Mikhailovsky Theater in St. Petersburg, Opera House in Rome, Teatro Regio in Parma and Teatro San Carlo of Naples.

He has worked with conductors such as Daniel Barenboim, Christian Thielemann, Lorin Maazel, Zubin Mehta, Antonio Pappano, Simon Yang, Nello Santi, Fabio Luisi, Stéphane Denève, Daniele Gatti, Pichas Steinberg, and with directors such as Hugo de Ana, Luca Ronconi, Graham Vick, Bob Wilson, Franco Zeffirelli.

The last few seasons have seen her protagonist at the Berlin Staatsoper in Tosca, A Masquerade Ball, Aida, Don Giovanni, The Force of Destiny, Don Carlo, at the Bayerische Staatsoper in Manon Lescaut, Don Carlo and Aida, at the Théâtre de la Monnaie in Brussels in Aida.at the Zurich Opera House in Otello and in Bohème, at the Metropolitan in Aida, at the Wiener Staatsoper in A Masked Ball, Don Carlo, Manon Lescaut, Tosca and Andrea Chénier, at the Teatro Regio in Parma in Il Trovatore, at the Liceu in Barcelon in The Force of Destiny, at the Staatsoper in Hamburg in Manon Lescaut, Tosca, Aida, Otello and A Masked Ball, at the Semperoper in Dresden in Aida, Tosca, Don Carlo and Manon Lescaut, at the New National Theater in Tokyo in Tosca, Il Trovatore, A Masked Ball and Andrea Chénier.

During the 2016/17 season she interpreted Manon Lescaut (title role) at the Puccini Festival in Torre del Lago, a Gala concert with the Accademia della Scala Orchestra at the Bad Kissinger Sommer Festspiele, Turandot (title role) with the Philharmonic Orchestra of Bologna in tour in Japan and at the Carlo Felice Theater in Genoa, as well as Cavalleria Rusticana (Santuzza) at the Pergolesi Theater in Jesi.

Also active on the concert side, his repertoire includes Verdi’s Requiem Mass (performed in Geneva with the Orchester de la Suisse Romande, in London with the London Symphony Orchestra and in Glasgow with the Royal Schottish National Orchestra) and the Ninth Symphony of Beethoven.

Born in Cuneo, she studied singing with Iris Adami Corradetti and Andrea Genovese. She was a finalist in the “Maria Callas” and “Marcello Viotti” competitions, she was the winner of the “A. Belli” competition in Spoleto where she made her debut in Don Carlo (Elisabetta) and Mahagonny (Gessie).

NORMA
FANTINI

LUISA KURTZ

Luisa Kurtz has interpreted roles such as Violetta Valery (La Traviata), at the Masini Theater in Faenza; La Marchesa Lucinda (La Cecchina, N. Piccinni), at the Teatro Comunale Mario del Monaco in Treviso; Ellie / Libellula (The Water Babies, P. Furlani), at the Teatro Sociale in Rovigo; Zerlina (Don Giovanni), at the Municipal Theater of São Paulo-Brazil; The Governess (The Turn of the Screw, B. Britten), at the São Pedro Theater in São Paulo-Brazil; Lauretta (Gianni Schicchi), at the Teatro Positivo in Curitiba-Brazil; Fiordiligi (So Fan All) and Serafina (Il Campanello), at the São Pedro Theater in Porto Alegre-Brazil; Antigone (Antigone, T. Traetta), at the Traetta Theater in Bitonto (BA) – Italy; Serpina (La Serva Padrona), in Malcesine (VR) -Italy; Gilda (Rigoletto), in Montreal-Canada; Rosina (The Barber of Seville), at the Sarmiento Theater in San Juan-Argentina. Berta (Il Barbiere di Siviglia), on tour in Brazil with the Brazilian Opera Company of the Mto John Neschling, appearing on stages such as the Municipal Theater of Rio de Janeiro, the National Theater of Brasilia and the Palace of Arts of Belo Horizonte; Frasquita (Carmen), at the Guaíra Theater in Curitiba-Brazil; and Papagena (Die Zauberflöte), in Porto Alegre-Brazil. Ein Sommernachtstraum, by F. Mendelssohn, in Campinas and Paulínea-Brazil; and Il Combattimento di Tancredi e Clorinda, by C. Monteverdi, at the Teatro Olimpico in Vicenza.

She was the solo soprano in Handel’s Messiah; Exsultate, Jubilate, by Mozart; Masses Solennelle de Sainte Cécile, by Gounod; Ein deutsches Requiem, by Brahms; Symphony no. 2 “Resurrection”, by Mahler; Oratorio de Noël, of Saint-Saëns; Stabat Mater, by Pergolesi, and others.

She sang under the direction of Yoram David, Carla Delfrate, Isaac Karabtchevsky, Javier Logioia Orbe, Karl Martin, Gianluca Martinenghi, Steven Mercurio, John Neschling, Alessandro Sangiorgi, Eddi De Nadai and others, and on stages such as the Auditorio Nacional Adela Reta of Montevideo – Uruguay, the Municipal Theater of Adria (RO) – Italy and the Sala São Paulo (Brazil).

Born in Porto Alegre, Brazil, Luísa began her musical studies through the violin in London, where she lived for four years. She graduated in Singing with Honorable Mention at the Conservatory of Music of the Federal University of Pelotas-Brazil. In 2010 she moved to Italy to follow her vocal studies, graduating in the two-year course of theatrical singing at the Francesco Venezze Conservatory in Rovigo with full marks and honors. You have won awards in singing competitions in Italy and Argentina.

LUISA
KURTZ

ANA ISABEL LAZO

Since 2005, he has participated in numerous concerts and performances in the theaters of Guatemala (National Theater), Nicaragua (Rubén Darío Theater), Costa Rica (Melico Salazar), Panama (Anayanci), China: National Center for the Perfoming Arts NCPA, Century Theater (Beijing), Qintai Concert Hall (WuHan), Science and Cultural Art Center (Suzhou), Jiansu Center for the Performing Arts JCPA, Bulgaria (National Radio Hall, Studio 1 in Sofia, and the Opera House in Varna) The United States America (Lincoln Center Alice Tully Hall and Carnegie Hall), Italy (Puccini Festival in Torre del Lago, Verdi Theater in Busseto and Teatro Regio di Parma), Germany (Staatsoper in Berlin, Elbphilharmonie in Hamburg), Austria (Ronacher Theater in Vienna).

Various roles have successfully debuted: Donna Elvira in “Don Giovanni”, Fiordiligi in “Cosi fan tuttte”, Tosca, Suor Angelica, Mimi in “La Bohème”, Liù in “Turandot” and Amelia in “Un Ballo in Maschera” .

Between 2017 and 2019 she participates in the official celebrations of the 150th anniversary of the birth of Arturo Toscanini, several recitals with the “Pavarotti Foundation”. You collaborate with the Teatro Regio di Parma, in various events and concerts on the occasion of the Verdi Festival, and the “Imparolopera” project as Abigaille in “Nabucco” and Amelia in “Un Ballo in Maschera”. In 2019 she sings the role of Minnie Vautrin in the opera “170 days in Nanjing, the diaries of Jhon Rabe”, being the first Western singer to sing a main role in the Chinese language.

Also in China in 2020 and 2021 she performs in two different productions in the theaters of Shanghai, Guangzhou, etc … with “Il Trovatore” and “La Forza del Destino” Winner of the second prize at the first edition of the “Marmo all’Opera” competition, winner of the “Opera Nova” prize (Role of Floria Tosca) at the second edition of the “Bologna International Voice Competition”, third place at the XXXIII edition of the “Ismaele Voltonini. She was a finalist in several competitions, including: “City of Bologna”, “Bellano City of Artists”. After his debut as Mimì in “La Bohème”, he received from the “Dante Alighieri” association in Guatemala, a special recognition for the Historical Execution of the Italian Opera in this country, and the Roconoscimento for the 2006 Artist of the Year of the Cultural Association “Vicenta Laparra de la Cerda”.

Born in Guatemala, she began her studies privately at the young age of 17. She studies singing at the “Arrigo Boito” Conservatory of Parma under the direction of the soprano Lucetta Bizzi and she perfects herself with the soprano Patrizia Orciani at the “Opera School”. You studied in New York with master Bill Schuman. During her studies she participated in several masterclasses: with Rolando Panerai, Aprile Millo, Raina Kavaivanska, Katia Ricciarelli, Fiorenza Cedolins and Giovanna Casolla.

ANA ISABEL
LAZO

COURTNEY ANN MILLS

At just 23, Courtney Mills began her career on the prestigious stage of the Metropolitan Opera and Carnegie Hall in New York. She is an American soprano, born in Illinois, she trained at the well-known Interlochen Art Academy and at the University of Indiana.

She is an eclectic artist, she has given numerous concerts and recitals, from the east coast of the United States to the African continent, broadcast on radio and television. You have also taken part in various festivals throughout Europe, including the Verbier festival in Switzerland, the Salzburg Festival in Austria and the Grachenfestival in the Netherlands and the Louvre Museum in Paris.

Her performances have been awarded several times. Among her most recent awards are the Salvator Licitra in Milan, in 2017, and the Beppe Tomaso in Reggio Calabria, in 2018.

Recently, she played the roles of This-That San in Madame Butterfly (March 2019) and the Brunnhilde in Wagner’s Valkyrie (April 2019) at the Petruzzelli Theater in Bari. In 2020, in full quarantine, she performed on a balcony, the time for a short concert, followed on social networks by more than 12 million admirers, before interpreting Santuzza in Mascagni’s Cavalleria Rusticana at the Teatro Unione in Viterbo. In 2020 – 2021 she will sing the Turandot in Petruzzelli in Bari and Sankt Margarethen in Austria.

In September 2020, she participated, in collaboration with Heineken, in the opening of the Italian Grand Prix, interpreting the Mameli anthem on the circuit before taking part in the first performance of the OSE opera festival in France where she is also artistic director. In November 2020 she inaugurates the Holy Deer Unplugged festival, a series of musical events created by San Lorenzo Lodges and SF Events Italy, inside the former papal apartment Holy Deer San Lorenzo City Lodge in Rome.

The singer performed as the first opera artist from the prestigious balcony overlooking Piazza Navona, the same filming location of the famous film “La Grande Bellezza”.

COURTNEY ANN
MILLS

SHIRA PATCHORNIK

Shira Patchornik is an Israeli soprano. She is the first place winner of two major baroque competitions: Concours Corneille 2021 (Rouen, France, in association with Le poème harmonique- Vincent Dumestre) and of Cesti Copetition 2021, where she also won the audience award and several engagement prizes. Though Shira is very passionate about the baroque repertoire, she is not limited to singing only that. During the seasons 2018-20, she was a member of the ensemble of the Hessisches Staatstheater Wiesbaden (Wiesbaden state theater) where she debuted the roles of Oscar (Un ballo in maschera), Zerlina (Don Giovanni), Pamina (Die Zauberflöte), Gretel (Hänsel und Gretel), Micaela (Carmen) and more. Some of the roles and theaters Shira guested in are Deutsche Oper am Rhein in Düsseldorf as Morgana (Alcina), as Cleopatra (Giulio Cesare) in Theater Dessau, as Valencienne (Die LustigeWitwe) in Theater Heidelberg, and in the Bregenzer Festspiele, as Tatiana (Eugene Onegin) under the baton of Valentin Uryupin.

Born in 1993 she showed exceptional talent for singing and acting from a very young age. At 7 years old she joined Bal-Kol choir in Tel Aviv (where she later studied voice with choir conductor Anat Morahg) and already at the age of 9 acted and sang in plays all across the country, and dubbed movies and TV shows for kids. Her career as a soloist on the opera stage began at the age of 14 when she sang in The Israeli Opera the role of The Young Vixen in Janaceck’s The Cunning Little Vixen. Quickly after that, followed several roles suitable for a young singer such as The Shepherd Boy in Tosca, The Messenger in Elias, Bastienne in Bastien und Bastienne and others. At 17 came her first international recognition as she won the Best Soloist prize in Slovakia Cantat competition in Bratislava.

Her high education in opera was divided between Tel-Aviv where she studied with Prof. Sharon Rostorf-Zamir, and Leipzig where she studied with Prof. Jeanette Favaro-Reuter. She was awarded several prizes in international competitions, such as Otto Edelmann Voice Competition in Vienna in 2018 (Jürgen E. Schmidt Prize), BMSOM Voice Competition in Israel in 2016 (2. Prize), and Kammeroper Schloss Rheinsberg in Rheinsberg in 2017 (prize receiver) where she also got to sing the role of Frasquita (Carmen) in the festival that summer as part of her prize. At 19 she sang Flora in Britten’s The Turn of the Screw in The Israeli Opera and later she appeared as a guest at the Kammeroper of Theater an der Wien as Contessa Bandiera in Salieri’s La scuola de’ gelosi. Other roles include Orasia in Telemann’s Orpheus and Euridice in Monteverdi’s L’Orfeo. Furthermore she sang in theatres as Oper Leipzig and Theater Nordhausen.

Shira’s studies and progress have been supported by numerous foundations such as the America-Israel Cultural Foundation, Meitar Foundation, Ronen Foundationand an excellence scholarship for her studies in the music academy in Tel-Aviv, awarded by the school itself for her achievements. Amongst noted conductors and professors she worked with are names like Konrad Junghänel, Jochen Rieder, David Stern, Patrick Lange, Edith Wiens, Tobias Truniger and many others. Her concert repertoire includes among many- Mozart Requiem and C Major Mass, Poulenc Gloria, many of Bach’s works as the Christmas Oratorio, B minor Mass, Johannespassion and countless cantatas performed all around Germany including in the Thomaskirche in Leipzig, Christkirche Rendsburg, Schlosskirche Bayreuth and Marktkirche Wiesbaden.

SHIRA
PATCHORNIK

SABRINA SANZA

Sabrina Sanza, Italian soprano was born on 24/06/1996 in Naples.
He began his musical studies at the age of 12 under the guidance of Maestro Giovanni Aprea. He obtained the master’s degree in opera singing with full marks, honors and special mention at the Conservatory of Naples San Pietro a Majella in 2020 under the guidance of M ° Daniela del Monaco. Currently he is improving with the soprano Iano Tamar. She is currently enrolled in the master’s degree course in Musicology at the La Sapienza University of Rome.

He attended: the Highly Specialized Academy for Opera Singers of the Coccia Theater in Novara; the advanced specialization course for opera singers “Mos: Mascagni opera studio 2019” at the Goldoni Theater in Livorno; in 2020 the Accademia del Belcanto Rodolfo Celletti in Martina Franca.

Debuts in the following roles:
-Eva in “The Creation” by F.J. Haydn at the 47th Festival della Valle d’Itria with the direction of Fabio Luisi and the direction of Fabio Ceresa.

– Lauretta in the “Gianni Schicchi” at the Coccia Theater in Novara with the direction of Davide Garattini,

– Gilda in G. Verdi’s “Rigoletto” with the Voce all’opera association of Milan directed by Nicolò Suppa and directed by Gianmaria Aliverta. At the Teatro Sociale in Como, at the Sferisterio Arena in Macerata, at the Teatro Grande in Brescia with the direction of Manuel Renga and the direction of Cesare Della Sciucca. At the Teatro Duse in Bologna directed by Matteo Parmeggiani under the direction of Giovanni Dispenza.

– Monica from “La medium” by G.Menotti directed by Cesare Della Sciucca and directed by Cesare Scarton at the July musical institution in Trapani and the playful Opera of Savona. Suor Genovieffa in “Suor Angelica” at the theaters: Goldoni of Livorno, Coccia of Novara and Sociale of Rovigo directed by Daniele Agiman and directed by Gianmaria Aliverta.

– Idalide in the “Virgin of the Sun” by D. Cimarosa at the Court Theater of the Royal Palace of Caserta and at the Hermitage Museum in St. Petersburg, conducted by Fabio Mastrangelo, accompanied by the orchestra “The St. Petersburg Northen Sinfonia”.

-Musetta in the opera “La Bohème” in Naples

– Soprano soloist in the Requiem Mass by W.A. Mozart in the summer festival “Como city of music” in co-production with the Teatro Sociale di Como under the direction of Leonardo Benini and the Antonio Vivaldi orchestra.

– Debuts as solo soprano at the Teatro Verdi in Trieste in the New Year’s Eve concert 2021 conducted by Fabrizio Maria Carminati.

She is the winner of the following competitions:

– 71st AsLiCo competition for young opera singers in the role of Gilda, the audience award and the award offered by the Como Lions club;
– Ottavio Ziino, critics prize and engagement at the great theater of Versavia 2021
– IX edition of Fausto Ricci and 2021 germoglio d’Arte award
– R. Pelizzioni and public award 2021
– International Opera Competition Vano Visioli 2021
– “Tommaso Traetta” 2019;
– Critics’ Award at the “Salice d’oro-special edition2019” international opera competition;
– International Competition “Leopoldo Mugnone” – Belvedere of San Leucio Caserta-2016;
– International Competition “Napolinova” – 2017;
– Opera Competition “Maria Collina” – Positano 2017;
– Award for best female voice at the international opera competition “Andrea Chènier” 2018.

In 2018, after passing the final test, he is eligible for the specialization academy for opera singers of the Teatro del Maggio Musicale Fiorentino, where he takes part in various masterclass periods.

SABRINA
SANZA

MARILY SANTORO

Marily Santoro studied with Liliana Marzano and graduated from the F. Cilea Conservatory of Reggio Calabria. She later perfected with soprano Raina Kabaivanska at the Vecchi Tonelli Institute in Modena. Winner of the First Prize of the third “Santa Gianna Beretta Molla International Competition”, first prize at the “City of Pienza Opera Competition” in 2019. Second Prize 19th edition of the “Spiros Argiris” International Competition, City of Sarzana. Finalist of the XLV Toti dal Monte International Competition and subsequently Finalist of the 57th Edition of the Verdi Vocal Competition in Busseto. In 2015 she made her debut in the role of Violetta in “La Traviata” by G. Verdi at the C. Goldoni Theater in Livorno. From there, many important beginnings follow. In 2016 he collaborates with As.li.Co for the “OperaDomani” project with the show “Turandot Principessa Falena” on tour throughout Italy and in the major Italian theaters. In 2017 she made her debut “Norma” at the National Opera and Ballet of Sofia, returning the following season as Leonora in “Il Trovatore” and with this role she made her debut at the Teatro G. Verdi in Trieste with great success with audiences and critics. In the same season she plays Monica in “The Medium” by G. C. Menotti at the Teatro Comunale Luciano Pavarotti in Modena and at the Festival dei Due Mondi in Spoleto. She is “Norma” again at the F. Cilea Theater in Reggio Calabria. In the 2019 season she debuts the role of “Madama Butterfly” in Japan for the Japan Opera Festival and the role of Contessa in “Le Nozze di Figaro” at the C. G. Goldoni Theater in Livorno. In 2020 she is Hannah Glawari in “La Vedova Allegra” by F. Lèhar in the Teatro G. Verdi in Salerno, directed by Daniel Oren and returns to Sofia, this time in the Sofia Philarmonia for the Requiem Mass by R. Leoncavallo, directed by Janon Acs. In 2021 she made her debut “La Petite Messe Solennelle” in collaboration with the F. Cilea Theater in Reggio Calabria and was the Winner of the “First Bellini Voices Opera Competition” at the Vincenzo Bellini Theater in Catania selected by Maestro Fabrizio Maria Carminati. In the same year, Aida made her debut as part of the “Modena City of Belcanto” project and once again played the role of Violetta in “La Traviata” by G. Verdi at the Teatro Comunale Alfonso Rendano in Cosenza, with enormous success. He wins the prestigious “Tullio Serafin” International Competition. Edition 2022 thus debuting the role of Donna Elvira in “Don Giovanni by W.A.Mozart at the Teatro Olimpico in Vicenza with wide acclaim from audiences and critics. Very active at a concert level, she collaborates with the Luciano Pavarotti Foundation of Modena and has been directed by masters such as Daniel Oren, Andrea Battistoni, Janon Acs, Nicola Paskoswski, Grigor Palikarov, Nayden Todorov, Laurent Campellone, Francesco Rosa, Giovanni Di Stefano and with directors such as Renato Bonajuto, Filippo Tonon, Stefano Monti, Marina Bianchi, Deda Cristina Colonna. Among her next engagements will still be Leonora in “Il Trovatore” at the G. B. Pergolesi Theater in Jesi, the Coccia Theater in Novara, the Municipal Theater in Rovigo and the Mario del Monaco Theater in Treviso and again “Contessa” in “Le Nozze di Figaro” at the Theater Verdi in Pisa and at the Teatro del Giglio in Lucca. She made her debut in the 2022 – 2023 season at the Teatro Alla Scala in Milan as La Dama in “Lady Macbeth”.

MARILY
SANTORO

FEDERICA SARDELLA

Federica Sardella was born in Palermo, where she began studying singing at the age of 14. Later, she obtained a first level degree at the “Alessandro Scarlatti” Conservatory in Palermo. In parallel with her studies, she took part in numerous competitions, arriving as a finalist in the “Young Emerging” competition – Ruggero II City of Cefalù Award.

In 2014, as part of the XXXV edition of the Rossini Opera Festival, you participated in the courses of the Rossiniana Academy of Pesaro directed by Maestro Alberto Zedda, receiving considerable acclaim and appreciation.

In 2017 she made her debut in Mozart’s “Requiem” in the role of solo soprano. Later, she debuted the role of Celidora in Mozart’s “L’ oca de Cairo “at the Teatro Massimo in Palermo.

In the 2018/19 season she is Elisetta in Cimarosa’s “Il Matrimonio Segreto” at the Luglio Musicale Trapanese organization; Fanny in Rossini’s “La Cambiale di Matrimonio”; Serafina in Donizetti’s “Il Campanello” at the Teatro Lirico of Cagliari and Eurydice in the “Orphèe aux Enfers” of Offenbach at the July Musicale Trapanese.

In the 2019/20 season she is Melpomene, Jane and Una Madre alla culla in the world premiere of “L’ Opera Minima “by J. Schittino, a work commissioned by the Municipal Theater of Piacenza. In 2022 she made her debut at the Carlo Felice Theater in Genoa in the acclaimed production of the Merry Widow.

Upcoming engagements will see her in Sapporo for the role of Gilda in “Rigoletto”, and Norina in “Don Pasquale in Buenos Aires.

FEDERICA
SARDELLA

BEATRICE URIA MONZON

One of the acclaimed mezzosopranos on today’s opera scene, Beatrice Uria-Manzon has had the opportunity to tread the largest stages in the world, including Metropolitan Opera in New York, ROH Covent Garden in London, Wiener Staatsoper, Opéra National de Paris, Théâtre des Champs-Elysées de Paris, Teatro alla Scala in Milan, Liceu de Barcelona, Teatro Real in Madrid, Opernhaus Zürich, Bayerische Staatsoper in Munich, Deutsche Oper Berlin, Opéra de Montecarlo, Colon in Buenos Aires, the Opera in Miami , Houston Opera, just to name a few.

I have collaborated with conductors of the caliber of Michel Plasson, James Conlon, Kent Nagano, Nello Santi, Gary Bertini, Marcello Viotti, Myung-whun Chung, Jesús López-Cobos, Frédéric Chaslin, Georges Prêtre, Daniel Oren. Among the directors we can include: R.Carsen, H. Kupfer, J-L Gomez, La Fura dels Baus, C. Beito, D. Poutney, K. Warner, P. Caurier et M. Leiser, N. Joel, N. Duffaut, C. Roubaud, JC. Auvray.

His vast repertoire includes major roles in the French repertoire, including Bizet’s Carmen, Hérodiade (title role), Don Quichotte (Dulcinea),Werther(Carotta), Le Cid (Chimena),La Navarrese (Anita) by Massenet ), La Damnation de Faust(Margaret) by Berlioz, Les Contes d’Hoffmann (Juliet), Hamlet (Gertrude) by Thomas. She is also at ease in the Italian repertoire, she has interpreted La Favorite(Leonora), Don Carlo (Eboli), Aida (Amneris). Roberto Devereux (Sarah), Norma (Adalgisa), Cavalleria Rusticana(Santuzza), Macbeth(Lady Macbeth), as well as her first Tosca in 2012 in Avignon which she will present again at the Opéra National de Paris and at the Berlin Staatsoper in 2014.

During the 2018/19 seasonyou played Adriana Lecouvreur at the Opéra Théâtre de Saint-Étienne, Hérodiade at the Opéra de Marseille, Macbeth at the Théâtre du Capitole, Toulouse and Andrea Chénier at the Opéra de Tours.
Among her upcoming engagements: Yvonne, Princess de Bourgogne at the Opéra National de Paris and Mephistopheles at the Théâtre du Capitole in Toulouse

BEATRICE
URIA MONZON

VITTORIA YEO

Born in Seoul, South Korea, she began her musical studies in her hometown and graduated in opera singing from Seokyeong University. She later moved to Italy to continue her studies. After obtaining a Diploma in singing at the “Arrigo Boito” Conservatory of Music in Parma, he perfected at the Chigiana Academy of Siena and graduated from the “Vecchi-Tonelli” Musical Institute of Modena, where he studied with the famous soprano Raina Kabaivanska, with full marks and honors.

Vittoria Yeo began her international career with her debut at theSalzburg Festivalin the summer of 2015, under the musical direction of Riccardo Muti, in the part of Elvira in Ernani. She will then be recalled for the new production of Aida in the title role.

She plays various opera roles such as Lady Macbeth in Macbeth at the Dante Alighieri Theater in Ravenna, at the Savolinna Opera Festival, at the Stockholm Konzerthaus and at the Teatro del Maggio Musicale Fiorentino, Cio cio-San in Madama Butterfly at the Teatro la Fenice in Venice, Fiordiligi in So do all of them at the Aphrodite Festival, Liù in Turandotat the Verona Arena and at the Daegu Opera Festival in Korea, Leonora in Il Trovatore at the Rome Opera House. Giovanna in Giovanna d’Arco at the Farnese Theater for the Verdi Festival in Parma, Odabella in Attilaat the Fenice in Venice, Mimì in La bohèmeat the Teatro dell’Opera in Rome and at the Teatro la Fenice in Venice, Lida in The Battle of Legnano at Maggio Musicale Fiorentino.

He has collaborated with the most renowned international conductors such as Riccardo Muti, Myung-whun Chung, Daniel Oren, Stefano Ranzani, Renato Palumbo, Andrea Battistoni, Riccardo Frizza, Jader Bignamini, Henrik Nánási, Ramon Tebar, Nicola Paszkowski, Pietro Rizzo, Francesco Lanzillotta.

You inaugurated the 2018/19 seasonby debuting in America as a soloist in Verdi’s Requiem Mass with the Chicago Symphony Orchestra conducted by Riccardo Muti. She later played Lady Macbeth (Macbeth) at the Teatro La Fenice in Venice, made her debut with great success the role of Amelia in Simon Boccanegraat the Teatro Carlo Felice in Genoa, and sang as a soloist in Verdi’s Messa da Requiem with the Berliner Philharmoniker. at the Baden Baden Festival under the direction of Riccardo Muti and Aida in Caracalla.

She inaugurated the 2019/20 season by interpreting Cio-cio-san in Madama Butterfly at the Teatro La Fenice in Venice and later she was the protagonist of a Verdiano Gala at the Municipal Theater of Piacenza and of Il Trovatore (Leonora) at the Carlo Felice Theater. of Genoa. You also made the anticipated debut in the role ofNorma at the Alighieri Theater in Ravenna.

Among his next engagements:Madama Butterfly at the Maggio Musicale Fiorentino, Turandot(Liù) at the Regio Theater in Parma and in the Theaters of Piacenza and Modena, Otello (Desdemona) at the Petruzzelli Theater in Bari, Aida at the Terme di Caracalla, as well as the Mass from Verdi’s Requiem with the Edinburgh Scottish Chamber Orchestra and the Bamberger Symphoniker.